Archive: August, 2010

Networking the World

When one hears the word “networking” it usually conjures up the mind images of servers and clients, the worldwide web, and perhaps sites such as Facebook.  Normally, things like the telegraph and railroad don’t immediately come to mind.

They should, which is what Armand Mattelart looks at in his book “Networking the World, 1794-2000” (2000) in which he takes a historical look at the challenges, benefits, and influences that have shaped emerging networks since the late 18th century.

In his research, we are provided with a framework in which to intellectualize contemporary issues and avoid some of the hyperbole surrounding the current “information superhighway.”

Emerging from nationalism and neo-classical economics, the first manifestations of these growing networks were the telegraph and the railroads. At the time, thinkers believed these new forms of networks would leap national borders to promote a free exchange of ideas and culture.

However, monopolies and cartels quickly began to dominate, concentrating the means and power into the hands of a few. Military and corporate interests were soon peaked and devices engaged to direct network resources for specific goals – usually with national or corporate interests at heart.

At best, this is a cautionary tale, one that forces us to look beyond both our current time and space to conceptualize current problems in a historical perspective. But, therein lays the problem as well. There are forces at play in current evolving networks that haven’t yet been defined or even identified yet.

If interests other than those of the marketplace and a free hive-like network begin to dominate, the power of the network is diluted into an oligarchy of self-serving interests and agendas.

If nothing else, one can take this historical reflection as an advisory, especially with what seems to be an upcoming battle over network neutrality in the information age.

It Might Get Loud

I love guitars. I love reading about them, browsing around vintage stores for a find, and most of all, listening to other guitarists talk about them and the art of playing.

Aside from Keith Richards, probably three of the most influential guitarists in my own feeble attempts at rock stardom have been Jimmy Page, The Edge, and Jack White…Page for his versatility and sheer volume of work, Edge for his embracement of technology and explorations, and White for his creativity within a structure and old school approach.

“It Might Get Loud” is a documentary by filmmaker Davis Guggenheim, released in 2009,  that just happens to bring these three guitarist together for my viewing pleasure (thanks Davis; glad you got my email…perhaps we can try to get together Plant, Bono, and Jagger for another installment?).

How he managed to get these three together is beyond me, but he did. They talk about guitars and music, both separately and together. In the transitions between, back stories are introduced and we get a glimpse into their specific musical approaches and history.

Sequestered together in a large warehouse in LA, they play some of their signature riffs for each other and talk a little bit about their craft. One of the highlights of this portion of the film is when Jimmy Page launches into his opening riff of “A Whole Lotta Love” and as soon as Edge and White recognize the song – both begin to beam like little school kids, just like you and I would be if Page launched into it in our living room. It is just a really honest, unscripted moment.

The film ends with all three launching into a version of The Band’s “The Weight” for a fitting end to a great film.

This film doesn’t uncover any secrets or little known facts about the three, it isn’t meant to. It is meant to bring together three great guitarists who love playing. The joy they find in doing so comes across both to each other and on screen.

Rainmeter

Rainmeter is a desktop utility (or “resource meter” as they call it) I came across a while ago that has now become an essential part of all my desktops.

While I like the concept of desktops widgets, the ones that are typically available for an OS (from the OS or from a 3rd party) usually come across as slightly comical in look, feel, and utility. Place a few on your desktop and it looks like a birthday clown just threw up a selection of colorful gadgets across your screen.

I must caveat this by saying I am a bit particular about how my desktop looks. If I need to spend a large amount of time in front of it, I want it to be a slightly serene place, especially after making After Effects crash for the 4th time.

Rainmeter is a highly configurable and low resource desktop utility that can place information such as time, weather, computer & network performance, temperature, notes, RSS feeds, and even things such as music player controls on your desktop. The choices are, at times, almost overwhelming it is so highly configurable.

There are two installed themes when you download Rainmeter. I personally prefer the Engima set. I like the spartan, utilitarian, and unifying look of it. I call it “industrial chic.” There are also many other themes and plug-ins you can download to customize it to your particular liking. Two of my favorites are the 10-Foot HUD (for the large time and weather block) and HUD Vision, from which I get most of my widgets.

Customizing the code to a particular widget is rather easy as well, once you figure out the different options and variables. For example, you can easily customize the RSS feeds to whatever you desire by tweaking the code.

Rainmeter is currently only available for Windows.

Amusing Ourselves to Death

I wish I could say I was enlightened enough to pick this up and read it of my own volition, but I didn’t. It was required reading for a graduate course in multimedia. However, I can say I have reread it twice just for fun, since that time. It really got me to think in some new ways and profoundly changed my perspective on how I analyze electronic media.

Neil Postman’s Amusing Ourselves to Death: Public Discourse in the Age of Show Business reflects on the different detrimental ways electronic media has had on discourse in America. He argues that dialogue in politics, news, religion and education has taken on the form of entertainment to such a large degree that we are in danger of descending into pure triviality.

While the book was first published in 1985 and concentrates mostly on the transition from printed media to television, most of Postman’s warnings still ring true, especially in this internet saturated age.

Postman laments the loss of thinking conceptually, deductively, sequentially, and with a sense of detachment and reflection that written exposition provides and challenges us with. Electronic media, he argues, offers context free information and superficial facts with little to no historical perspective. This leads one into a world of fragments of discontinuity. Discourse is reduced to sound bites.  People become full of trivia, with little ability to connect or put into perspective the many facts.

It is especially dangerous when television tries to present itself as a serious medium and make important matters into a form of entertainment. It can be difficult to find the nuggets of truth contained in the sheer volume of triviality that one is forced to digest.  We will become amused into indifference.

By comparing Orwell to Huxley, he puts his argument in perspective right from the beginning:

“Orwell warns we will be overcome by externally imposed oppression. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacity to think…This book is about the possibility that Huxley, not Orwell, was right.”

Whether or not you agree wholly, in part, or not at all, with Postman’s views, it will give you some things to ponder and some macro-level perspectives when analyzing discourse in the age of electronic media.

The Fall

The Fall is a little gem of a movie that I accidentally came across a few months ago. I became so absorbed with the movie, that I harassed everyone I knew until they watched it.

It was released in theaters in 2008 and for the most part flew under the radar. This is sad, because this movie really needs to be seen on a larger screen to be appreciated.

Directed by Tarsem Singh, it is set in 1920s Los Angeles in which a silent era movie stuntman (Lee Pace) is confined to a hospital due to leg injuries and facing possible paralyses. He ends up befriending a fellow patient, a little girl played by Cantinca Untaru. He starts telling her elaborate stories about adventurers and princesses. However, he has other motives in telling her these stories. With her friendship he convinces her to steal morphine for him in his attempt to try and commit suicide.

In these storytelling sequences the film becomes so vivid and the shots so beautifully composed, that one becomes truly engaged in the fantasy.

However, even with the outstanding visuals, something else manages to steal the show and your heart. The little girl Cantica Untaru is so utterly captivating and charming in her role that she commands every scene she is in. Truly, she is the star of the whole movie.

The film was shot over a period of four years in some 20 countries, which included Italy, France, Spain, Nambia, China, Bali and India.

It is a beautifully composed and engaging movie…find, beg, or borrow a copy.

Reaper

I am often playing around with different audio software in an effort to a) make my life easier and b) find a different twist on an old method that might inspire some newfound creativity.

A program that I have been using for the past couple years called Reaper, made by Cockos, has certainly helped with both. Reaper is a Digital Audio Workstation (DAW) used for audio recording and editing. That is probably a gross over implication, but to name just a few features; it is a 64-bit, unlimited track count, draggable sends, MIDI routing and triggering, full plug-in support…powerhouse.

Best of all, it’s cheap! It is described as a “reasonably priced, uncrippled, unexpiring shareware” by its creators, which basically means you can download it for free for personal use and need to tolerate a reminder to purchase every time you open it. My copy has yet to expire. Full commercial licenses run $225 and discounted personal editions run $60. In my opinion, it is probably worth five times that.

A community has sprung up around the software developing skins, plug-ins, and other customized add-ons. The updates that Cockos provides to the software are truly remarkable. They come out with improvements to Reaper faster than any software I have ever used. They make Chrome and Firefox updates look slow in comparison.

Why the big deal about this software? Well frankly, I got sick of using Pro Tools. While Pro Tools is definitely the industry standard, it became a real pain to deal with hardware dongles. Meaning you had to have their approved audio hardware plugged into your computer to make the software work. Or, if you wanted to edit “on the run” you had to purchase a small USB dongle to use with your laptop. That became too much of a pain…and too expensive especially for those of us not trying to record an album for a Grammy or score the next Lord of the Rings trilogy.

Enter Reaper. A simple, lightweight (10MB installer), yet powerful DAW that can do most if not all the things the big boys can at a fraction of the price. It opens quickly, responds like a charm, and is often my go to editor for audio. It fills a nice void between the expense of something like Pro Tools and the oversimplification of Audacity.

Cockos the company has an interesting story. It was founded by Justin Frankel who created Winamp and invented the gnutella peer-to-peer network (Wired article about him here). One of their most appealing new products is called NINJAM, which is promoted as a “unique way for musicians to collaborate over the Internet in near real time.”

If you have wanted to experiment with editing or recording your own audio, give Reaper a try, you won’t be disappointed. It is available for both Mac and Windows.